We’re in short play now. Any chance?
Yes!
Although I’ve been saying that 90% of the short play industry is in loss, 2026 is the year of the short play industry’s big shuffle.
But it’s not too late to get in, especially when you’re a real master, or you have some sort of core advantage, and short-time winters will help you freeze a large number of competitors.
It’s when it’s easier for you to get out of the boom.
In previous years, the first people to earn money in short plays were people with poor information.
And the ones who make money in short play in the future must be the bad guys. That means you’ve got real skills!
When the short play comes, pigs can fly. When the bulls come, old ladies can make money in the stock market.
But when a business matures, it depends on your expertise.
For example, if you want to make a good movie, you can’t do it on the basis of bad information, even if you know where to make money, because you can’t.
And the last two years of short play are different. You just have to choose the right direction and the right subject, and you’re halfway there. You just try not to suck.
Then who has no chance of short play?
If you don’t know what to do, you can’t make money.
What the short play industry is going to phase out is your low-level duplication of excess capacity. As with the elimination of small coal kilns in small steel plants, they are of low quality and polluting the environment.
In 2026, the short play industry will be shuffled. Cuts and cuts will be the norm.
In the first instance, the production of the short play would be reduced by more than half and the resources of the industry would be concentrated to the head. Mainstream dramas will become 800,000 to 1 million starters, with head projects ranging from 1.5 to 2 million.
And the S+ projects, such as listening to Flower Island and stables, will reach over 3 million.
And it’s going to be more of a pavilion effect. The head of the short play would have more than 10 million grades of revenue, with individuals projecting between 5 and 10 per month.
On the other hand, revenues are further squeezed and artillery ash increases.
In 2026, we all looked for new ways to find our own breakdown. It’s not like we can do anything.
It is necessary to find its own type of core advantage and to focus on this type of subject, such as rural, old age, scenic, etc.
You either go up, high-end, head, refined.
Either go down, down the line, make a short play.
And in the middle, it’s ash.
Or you’re doing it in a different form, or everyone’s doing it, and you’re doing it for the content, like advertising, account numbers, performers, etc.
For the newest short play company, location determines life and death.
When you stay at the top, you must focus on your core strengths and constantly strengthen them.
Let’s see what the real masters do.
For example, a friend of mine has gained the advantage of the Internet industry, where he does short plays and focuses on the illusions, creating a technological threshold. A year ago, a number of men were indirectly involved in the explosion.
For example, the stables of Shenzhendra specialize in film quality, the shorts of Wang Jia Wei. I call him Wang Jia Wai of the short play industry.
Listening to the fact that Hanashima is a woman’s specialty, it perpetuates the advantage of Mimong’s ability to inspire the emotional value of Chinese female users in the public domain.
In my opinion, the short play is far from the end. The first half of the short play industry is coming to an end, and there are opportunities for the second half.
The heroes of the world are like Zhang Zhang Zhang, Yuan Zhuo and Dong Zhuo, who are still here.
If you’re new, you can communicate in private.
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